Speaking of which, you can also check out the album art below. From the photos below, it was a sight to behold. Her syncopated vocal rhythms are classic in execution however, there’s. Vows opens with Kimbra’s unconscionable timing with track Settle Down. Her almost elfin fascination with vocal layering and grandiose composition takes this artist and this album to another realm altogether. Even though the first show from this tour saw Monáe sidelined due to illness, and the second postponed, Kimbra still put on a valiant solo set in Melbourne on Saturday. Quite frankly, this is an album I wish I’d written. Kimbra is currently touring around the country with Janelle Monáe.
Mark Foster of Foster The People also features on the song’s chorus. “We loved it and dropped it straight into the mix”. “The next morning Matt had sent back an obnoxious detuned guitar part for the pre-chorus,” Kimbra says. While in the studio, producer Rich Costey sent a copy of the song to Bellamy to see what he thought. Instead of making the track a throwback musically, I wanted it to feel like a nod to the past from a futurist perspective.” “I am always attracted to the meeting place of light and dark, sweet and sour - the juxtaposition of angular sounds and head-crushing distorted elements sitting alongside a breathy bubblegum vocal.
KIMBRA ALBUM RELEASE DATE FULL
Note: The tracklisting provided is the full list of songs from the New Zealand Deluxe Edition and includes all the songs intended for the album.“90s Music embraces so many things I like to explore musically,” Kimbra says. You can buy the album on iTunes or at Amazon. You can listen to the album at Xiami and Spotify. This woman’s voice coupled with her ability to fuse the expected with the experimental makes this debut as brilliant as any I’ve heard from some of my favorite artists. She doesn’t care where she touches down, but when she does even the smallest note will cause your world to shift. But then you’ve got songs like Come Into My Head that seem to only want to drive the point home - she’s a force like a tornado. Songs Withdraw and Something In The Way You Are give honey and rum to the mixture of sweet and charming - I spent the better part of 45 minutes listening to the latter and trying to keep from bursting into tears from the sheer magnitude of the girl’s power. She reaches down into her guts to release guttural alto tones that send shivers to bits that shouldn’t be so easily touched, and yet puts her hand in the sky and plucks out stars with notes that seem to force satellites listlessly wandering the cosmos to crash into each other. At 22, Kimbra has a power and range that’s astonishing. Upon first listen it’s hard to reconcile the age with the vocalist. However, all that fails to even truly mean anything without the voice. Indeed, it’s that same swing and soul that had me falling in love with such music as a child, and I’m shocked and elated to find out that somewhere in the world there are artists who still delight in the simple largeness of the sound.Įvery song on this album is a portrait, pictures ranging from sensually painted in blue and grey hues to dangerously chaotic, calling to mind the work of Pollock. Songs like Call Me and Cameo Lover borrow from the rock and sway of groups like SWV or the early work of Mary J. Kimbra also delves into the “sweet” side of R&B at points. Fusing elements of 90s New Jack Swing and the smooth R&B that I grew up with, Kimbra delivers a sound that’s at once reminiscent and completely different to anything I’ve ever heard. The song’s almost as naked as taking a stroll in a hidden forest, looking for a brook to lie next to. It then creeps back in with lilting hidden track Somebody Please (which stands alone later on in the album). It’s a sensual affair that roils with her gritty coo and throbs with heavy instrumentation only to cut off for a full minute. Song The Build Up certainly attests to that. She plays with it, writing music that’s more a playground than a traditional musical composition. Vows opens with Kimbra’s unconscionable timing with track Settle Down. Her syncopated vocal rhythms are classic in execution however, there’s something noticeably nuanced about the way she uses her voice. Quite frankly, this is an album I wish I’d written. She fuses a few genres and bends and twists them into different species, then has the nerve to piece everything together with a vocal perfection that pretty much took my breath away. And yet, this young woman from New Zealand simply sighs and causes a ruckus. Vows is the type of debut that any young singer would give their reproductive abilities to have been able to create.
I’m actually almost at a loss for words… almost.
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